Comme quoi rien n'est perdu

Blissful death: Je te dirais que si tu as aimé les 3 1er et si lire une suite te fait envie, tu lira 'Requiem for the Sun' avec plaisir. a la limite attend la version poche si tu es pas sur.

J'ai la forme pour les couvertures en ce moment



il sera dispo en fevrier 2004

Et un petit extrait

Excerpt: Elegy for a Lost Star

Ylorc

When the mountain peak of Gurgus exploded, the vibrations coursed through the foundations of the earth.

Above ground, the debris field from the blast stretched for miles, ranging from boulder-sized rubble at the base of the peak to fragments of sand that littered the steppes more than a league away. In between, shards of colored glass from windows that had once been inlaid in the mountain's hollow summit lay like a broken rainbow, glittering in the sun beneath an intermittent layer of sparkling dust.

Below ground, a small band of Firbolg soldiers felt the concussion rumble beneath their feet, though they were some miles east of Gurgus. A few moments of stillness passed, as dust settled to the floor of the tunnel. When Krarn finally released the breath he was holding, the rest of his patrol shook off their torpor and resumed their duties. The Sergeant-Major would flay them alive if they let something as small as a tremor keep them from their appointed rounds.

* * *

A few days later, the soldiers reluctantly emerged under a cloudless sky, having reached the furthest extent of this section of their tunnel system, and the end of their patrol route.

Krarn stood on the rim of the crater-like ruins of the Moot, a meeting place from ancient times, now dark with coal ash and considered haunted. Nothing but the howl of the wind greeted him; no one lived in the rocky foothills that stretched into steppes, then out to the vast Krevensfield Plain beyond.

Having finished their sweep of the area, his men had quietly assembled behind him. Krarn was about to order them back into the tunnels when the hairs on his back—from his neck to his belt—stood on end.

It began as the faintest of rumblings in the ground. The tremors were not enough to be noticed on their own, but Krarn noted the trembling of vegetation, the slightest of changes in the incessantly dry landscape, little more than the disturbance that a strong breeze might make. He knew that it was no wind that caused this disturbance; it had come from the earth.

Silently ordering his men into a skirmish line, Krarn's eyes scanned the area, looking for any more signs. After a few minutes, the feeling passed, and the earth settled into stillness again. Nothing but wind sighed through the tall grass.

"Aftershocks," he muttered to himself.

With a shake of his head, Krarn led his men back into the tunnels.

And in so doing, missed the chance to sound a warning of what was to come.

* * *

As the days passed, the tremors grew stronger.

The surface of the Moot, baked to a waterless shell by the summer sun, began to split slightly, thin cracks spreading over the landscape like the spidery pattern on a mirror that had broken but not shattered.

Then came steam, the slightest of puffs of rancid smoke rising up ominously from the ground beneath the tiny cracks.

By day it was almost impossible to see, had eyes been in the locality to see it. By night it mixed with the hot haze coming off the ground and, caught by the wind, wafted aloft, blending with the low-hanging clouds.

Finally came the eruption.

Waves of shock rolled through the earth as if it were the sea, waves that intensified, growing stronger. The earth began to move, to rise in some places, shifting in its underground strata.

Then, with a terrifying lunge, it ripped apart.

The rumbling beneath the surface suddenly took on movement. It started outside of Ylorc but traveled quickly. It was heading north.

Unerringly, determinedly north, toward the icy land of the Hintervold.

All along the eastern rim of the mountains, then westward across the plains, a movement within the ground could be felt, a shifting so violent that it sent aftershocks through the countryside, uprooting trees and splitting crevasses into the sides of rolling hills, causing children miles away to wake in the night, shaking with fear.

Their mothers held them close, soothing them. "It's nothing, little one," they said, or uttered some similar words in whatever language they were accustomed to speaking. "The ground trembles from time to time, but it will settle and go quiet again. See? It is gone already. There is nothing to fear."

And then it was gone.

The children nestled their heads against their mother's shoulders, their eyes bright in the darkness, knowing on some level that the shivering was more than the ripples of movement in the crust of the world. Someone listening closely enough might sense, beyond the trembling passage, a deeper answer from below the ground.

Much deeper below.

As if the earth itself was listening.

* * *

Deep within her tomb of charred earth, the dragon had felt the aftershocks of the explosion of the mountain peak.

Her awareness, dormant for years, hummed with slight static, just enough to tickle the edges of her unconscious mind that had hibernated since her internment in the grave of melted stone and fire ash in the ancient Moot.

At first the sensation nauseated her and she fought it off numbly, struggling to sink back into the peaceful oblivion of deathlike sleep. Then, when oblivion refused to return, she began to grow fearful, disoriented in a body she didn't remember.

After a few moments the fear turned to dread, then deepened into terror.

As the whispers of alarm rippled over her skin it unsettled the ground around her grave, causing slight waves of shock to reverberate through the earth around and above her. She distantly sensed the presence of the coterie of Firbolg guards from Ylorc, the mountainous realm that bordered the grave, who had come to investigate the tremors, but was too disoriented to know what they were.

And then they were gone, leaving her mind even more confused.

The dragon roiled in her sepulcher of scorched earth, shifting from side to side, infinitesimally. She did not have enough control of her conscious thought to move more than she could inhale, and her breath, long stilled into the tiniest of waves, was too shallow to mark.

The earth, the element from which her kind had sprung, pressed down on her, squeezing the air from her, sending horrific scenes of suffocation through her foggy mind.

And then, after what seemed to her endless time in the clutches of horror, into this chaos of thought and confused sensation a beacon shone, the clear, pure light of her innate dragonsense. Hidden deep in the rivers of her ancient blood, old as she was old, the inner awareness that had been her weapon and her bane all of her forgotten life began to rise, clearing away the conundrum, settling the panic, cell by cell, nerve by nerve, bringing clarity in tiny moments, like pieces of an enormous puzzle coming together, or a picture that was slowly gaining focus.

And with the approaching clarity came a guarded calm.

The dragon willed herself to breathe easier, and in willing it, caused it to happen.

She still did not comprehend her form. In her sleep-tangled mind she was a woman still, of human flesh and shape, not wyrm, not beast, not serpentine, and so she was baffled by her girth, her heft, the inability of her arms and legs to function, to push against the ground as they once had. Her confusion was compounded by this disconnection between mind, body, and memory, a dark stage on which no players had yet come to appear. All she could recall in her limited consciousness was the sense of falling endlessly in fire that had struck her from above, and blazed below her as she fell.

Hot, she thought hazily. Burning. I'm burning.

But of course she was not. The blast of flame that had taken her from the sky had quenched more than three years before, had sizzled into smoky ash covering the thick coalbed that lined her tomb, baking it hard and dry in its dying.

Fighting her disorientation, the dragon waited, letting her inner sense sort through the jumble, inhaling a bit more deeply with each breath, remaining motionless, letting the days pass, marking time only by the heat she could feel through the earth when the sun was high above her tomb, and the cooling of night, which lasted only a short while before the warmth returned.

Must be summer's end, she mused, the only cognizant thought to take hold.

Until another image made its way onto the dark stage.

It was a place of stark white, a frozen land of jagged peaks and all but endless winter. In the tight containment of the tomb the memory of expansiveness returned; she recalled staring up at a night sky blanketed with cold stars, the human form she had once inhabited, and still inhabited in her mind, tiny and insignificant in the vastness of the snowy mountains all around her.

A single word formed in her mind.

Home.

With the word came the will.

As the puzzle solidified, as the picture became clearer, her dragonsense was able to ascertain direction, even beneath the ground. With each new breath the dragon turned herself by inches until, after time uncounted, she sensed she was pointed north-northwest. Across the miles she could feel it calling, her lair, her stronghold, though the details of what it was were still scattered.

It mattered not.

Once oriented in the correct direction, she set off, crawling through the earth, still believing herself to be human, dragging a body that did not respond the way she expected it to relentlessly forward, resolute in her intent, slowly gaining speed and strength, until the ground around her began to cool, signaling to her that home was near. Then, with a burst of renewed resolve, she bore through the crust of the earth, up through the blanket of permafrost, hurtling out of the ground in a shower of cracking ice and flying snow, to fall heavily onto the white layer that covered the earth like a frozen scab, breathing shallowly, rapidly, ignoring the sting of the cold.

She lay motionless for a long while beneath that endless night sky blanketed with stars, thought and reason returning with her connection to this land, this place to which she had been exiled, in which she had made her lair. The dragon inhaled the frosty wind, allowing it to slowly cleanse her blackened lungs as the dragonsense in her blood was cleansing her mind.

And along with thought and reason, something else returned as well, burning hot at the edges of her memory, unclear, but unmistakable, growing in clarity and intensity with each moment.

The fury of revenge.

Elegy for a lost star me paraît tout à fait passionnant d'après le résumé et la couverture est superbe.
Sur ton conseil, Nievel j'ai acheté requiem for the sun et je ne suis pas déçu. Ce livre est magnifique, même si je le trouve par moment un peu long, mais le plaisir de le lire est toujours pareil du début à la fin.

Comment Zeb et moi on l'a fait vivre à bout de bras ce sujet au départ !
J'espère que Sylvaner sera le prochain à nous rejoindre !

aaah c'était la belle époque
on vous faisait découvrir des livres passionants

Tiens, ce sujet reviens ... et j'avais oublié d'y réagir une fois ma lecture terminée.

Alors voilà, pour moi Rhapsody est un de ces cycles qui vous passionnent, qui vous ennivrent pendant la lecture ....

et puis après, en y repensant, on se sent un peu ridicule d'avoir si bien marché.

Je m'explique : la trame est originale, l'univers cohérent est ... cohérent, mais aussi plus poétique que d'habitude, les personnages sont hauts en couleurs ...

Mais d'un autre côté on baigne dans l'eau de rose, dans l'invraisemblable - et on y croit !

Les héros sont beaux, et parfois délicieusement ambigus - mais on ne croit qu'à moitié à leur côté méchant.
Les méchants sont un peu le point faible : pas très intéressants, à part peut-être celui créé par le grand méchant à partir de quelqu'un ... globalement ils manquent un peu de consistance.

Bref, plein de défauts qui n'empêchent pas un lecture pleine de bonheur ... sauf peut-être à la fin, ou tout s'imbrique un peu trop parfaitement : ça sent le roman construit méthodiquement, avec un plan, pour retomber sur ses pattes à la perfection. Et paradoxalement, ça perd un peu d'intérêt : on a l'impression que les personnages grands et petits on manqué de coudées franches pour s'exprimer, tant ils étaient occupés à remplir le dessein de l'auteur (remarquez, certaines situations de l'histoire mettent ce phénomène en abyme ... intéressant, non ?).

Par contre, la toute fin, où l'on a (théoriquement) l'explication du tout début, alors la je n'ai RIEN compris. Je ne sais pas si c'est mon anglais, la distraction, un fin "ouverte" ou une explication un peu légère, mais je ne suis pas convaincu.

Enfin, en résumé, beaucoup de bonheur à la lecture, mais j'ai un peu "honte" d'avoir aimé.

Je vous trouve un peu durs, de parler de " honte ". C'est tout de même un terme très fort, même si vous ne reniez pas pour autant avoir aimé cette trilogie.
Pour ce qui est de l'aspect " histoire à l'eau de rose ", c'est très marqué dans l'introduction du premier tome, mais ensuite, c'est moins voyant. Il ne faudrait pas que certains se fassent de fausses idées en se basant là-dessus.

En tous cas, je suis toujours content de voir de nouveaux lecteurs pour ces romans.

ne t'inquiète-pas Gillo,même si certains commentaires pour cette trilogie peuvent sembler à 1ère vue rebutants,c'est justement assez intriguant ce paradoxe pour que notre curiosité soit piquée,la preuve:il trône sur ma table de nuit depuis plusieurs jours ,je compte bien m'y mettre dès que j'en aurai terminé avec Hobb

Je vous trouve un peu durs, de parler de " honte ". C'est tout de même un terme très fort, même si vous ne reniez pas pour autant avoir aimé cette trilogie.  
Pour ce qui est de l'aspect " histoire à l'eau de rose ", c'est très marqué dans l'introduction du premier tome, mais ensuite, c'est moins voyant. Il ne faudrait pas que certains se fassent de fausses idées en se basant là-dessus.

En tous cas, je suis toujours content de voir de nouveaux lecteurs pour ces romans.

Oui, tu as raison, c'est ce que je me suis dit aussi en me relisant !
Effectivement, "honte" est un peu fort, mais je ne savais pas comment exprimer ce sentiment de s'être fait un peu "avoir" par un bouquin. Pas comme le trio de tête Jordan Martin Hobb, qu'objectivement j'admire, mais pas non plus comme un petit livre sans ambition : là, il y a de l'ambition, et aussi autre chose ... mais je ne peux pas dire que "j'admire".

Cela dit, loin de moi l'idée de rebuter le lecteur. Je l'ai même conseillé à un illustre inconnu dans les rayons de Gibert à Paris, en même temps d'ailleurs que je lui conseillai Elbakin !

Bref, pour corriger le tir, disons que c'est un livre à lire : il met des étoiles dans les yeux, et tenez-moi au courant de comment vous vous sentez quand les étoiles s'estompent ...

C'est vrai que Rhapsody's trilogy est vraiment un bon roman car Elizabeth Haydon a réussi a créer des personnages attachants dans un monde bien développé et très riche. Au sujet de l'histoire à l'eau de rose ça ne m'a pas particulièrement frappé, même au milieu du tome 2 où la relation se développe. Ca reste pour moi en tout cas l'un des meilleurs roman parut ces dix dernières années.